Tiff (she of the famous mac and cheese and hilarious and insightful blog postings) challenged us with yet another wonderful CD Swap, this time with a fun twist. The directive? Design your own movie or TV soundtrack. Fun, right?
When I first read her idea, my mind started racing with possibilities. Do I do an ironic teen horror/gross out comedy featuring the latest trendy and up-and-coming bands? Or a depressing co-dependent tearjerker about a destructive relationship set to the slit your wrists tunes of folks like The Cure? Then, it hit me. My deep, dark secret reared its ugly head and shouted directly into my ear, shouted something I'm about to confess to you all that only people who went to graduate school with me in Syracuse really know.
I've already written a freaking movie.
Yes, friends, back in the days of my callow youth before I knew blogs even existed I fancied myself a bit of a writer. Therefore in grad school the class I was most excited about taking was screenwriting, and take it I did. It was a wonderful class and I adored my professor, but in the end it gave me one thing I shouldn't have had under any circumstances: the desire to move to Los Angeles and become a TV writer. Why was it bad to give me this dream of being a TV writer, you might ask? Well, because I'm sort of crappy at it, that's why. The only good thing to come out of this screenplay were the looks of wonder, awe and impatience I got from all of the underclassmen in the 24 hour computer lab when I was printing out the 120 page document on the shared printer at 4am. For about 7 minutes while this sucker printed, I was a complete rock star.
I've decided, in the interest of full disclosure to you my faithful readers, and also in the interest of making LOADS of fun of myself, to use this screenplay as the basis for my soundtrack. Please keep these things in mind as I am bearing my (terribly written) soul to you:
- It is perfectly all right to make fun of me in the comments. I know the script sucks, you won't hurt my feelings.
- I wrote this in 1999, at the tender age of 22. I knew nothing about anything, let alone writing a screenplay.
- OK, so the screenplay isn't terrible per se, it's just outstandingly mediocre. So mediocre that as a reader (one of my main tasks at my first job in L.A.) I would have read about 20 pages before giving up and not recommending the writer or the material. At least with ridiculously bad screenplays I would read to the end for sheer entertainment value.
- Anything written in parentheses are my current thoughts. All original dialogue and stage direction writing is unchanged (including synopsis), but I didn't have any character or scene descriptions so those are new.
- Inevitably, some of these songs have already been used in TV or movies. I tried to avoid it as much as possible, but I get most of my music ideas from TV shows and movies. Therefore it was a little hard to avoid.
Now, because I'm making this challenge even harder on myself, I decided that I couldn't use modern music and to take the challenge on as if the movie was made very soon after I'd written it. All music was recorded or released in 2000 or earlier and I tried to get as many songs that were released in late 1999 - early 2000 as possible. Therefore, you might be aware of most of the artists but it's always fun to have a nostalgia-fest, isn't it? Okay, here goes nothing:
Foursquare
Synopsis:
An evil clique. The pranks they pull. No worries about the consequences, just the thrill of living in today. This is the story of how a group of high school girls becomes entangled in a prank over their heads. The manipulative Sydney plots to ruin young Evan's life, and Jill goes along for the ride. Unfortunately for them both something unexpected happens - Jill falls in love with Evan. Now it is up to Sydney to make sure her plans are seen through, no matter what it takes. But Jill has a different plan. She must expose Sydney in order to save Evan's family, not to mention his pride.
(Wow. I really took this story seriously, and it is really totally ridiculous. Also, Jill falling in love with Evan is TOTALLY unexpected! That's never been done before, or since! I'm such a hack.)
Track List:
- "Monday" - Wilco
- "Teenage Dirtbag" - Wheatus
- "Never Say Never" - That Dog
- "Completely Pleased" - Semisonic
- "The Other Side" - Bob Schneider
- "I Found a Reason" - Cat Power
- "Flavor of the Month" - The Posies
- "Something Burning" - Deb Talan
- "Tell Her This" - Del Amitri
- "Mixed Bizness" - Beck
- "Everything I Do" - Whiskeytown
- "One More Murder" - Better Than Ezra
- "Blue Parade" - Sarah Slean
- "Windmills" - Toad the Wet Sprocket
- "Super Bon Bon" - Soul Coughing
- "Prophecy" - Remy Zero
- "Somebody That I Used To Know" - Elliott Smith
Click here to download Foursquare: The Original Soundtrack (via Megaupload)
(Embarrassing) character descriptions, scene details and music placement below. Warning: this is long, and Typepad only lets you put your post behind a jump if you are a Plus or Pro subscriber. Suck it, Typepad.
Characters:
Sydney - The queen of the school who always gets her way. Everyone looks up to her, because otherwise she would ruin their lives. She has a few dark secrets of her own, and will do anything to keep them hidden. Think Sarah Michelle Gellar in Cruel Intentions.
Jill - The reluctant clique member. Secretly is over Sydney and her mind games but doesn't think she can get out from under her thumb. Falls in love with Evan and sees him as her ticket to a normal life without Syd. Think Jennifer Love Hewitt in Can't Hardly Wait.
Evan - Our hero and love interest for both Jill and Sydney. Always does the right thing and doesn't care much about what people think of him. Think Paul Rudd in Clueless without the pretentious superiority complex and pet causes.
Tiffany - The ditzy, kind one in the clique. Supposed to be my comic relief, unfortunately she's never actually funny. I modeled her after my gorgeous and bubbly friend at the time named Tiffany because I'm nothing if not original. I wonder what happened to her? Anywho, think Amanda Seyfried in Mean Girls.
Amber - Um, pretty much a non-entity. The most underwritten character in screenplay history. Basically, I needed a fourth girl so I could use the title Foursquare. Think Jessica Alba in Never Been Kissed.
Mr. Williams - Evan's father and the subject of Sydney's very cruel final prank. Think Kevin Spacey in American Beauty, without all of the anger and suburban unrest and suicide.
Scene descriptions and music placement:
1. "Monday" - Wilco
Our opening scene, featuring the girls first prank to establish their M.O. The girls prove their prank-a-liciousness by playing a trick on their stuffy algebra teacher by putting chocolate pudding on his desk chair so that when he stands up, the pudding makes it look like he pooped his pants! Hilarious! Also, I totally stole that from Can't Hardly Wait. Unoriginal, and unfunny to boot! I am awesome.
Key dialogue:
MR. REED
What's the problem, class? What's so funny?
(I am a such a word smith.)
Key moment:
Evan, our hero, totally disapproves, shaking his head in disgust at the hijinks.
(See - he's different!)
2. "Teenage Dirtbag" - Wheatus
Title sequence. Scenes of our four girls at high school interspersed with them playing foursquare.
(Why would high school girls play foursquare? I do not know. Again, I just really liked that title for some reason.)
3. "Never Say Never" - That Dog
The girls meet to plan their final, big prank as seniors. Jill's bedroom. Night.
Key dialogue:
SYDNEY
You guys know Evan, right? Jill's next door neighbor? Well, after the whole cafeteria thing...
AMBER
The infamous chocolate milk incident?
SYDNEY
(glares at Amber)
Yes, that. He's got it coming. I figured what better way to get him, short of death, than ruin his entire life. Jilly here is simply going to assist me.
TIFFANY
Assist you in what? Dammit, Syd, tell!
JILL
I'll tell. I have to have sex with his father.
(Naughty! The gist of the prank is this: Jill is going to sleep with Evan's father and make sure his mother finds out and divorces him, while Sydney is going to ruin Evan's life in a more direct manner that is never fully explained, because the script is terrible. Tiffany and Amber have a side mission to embarrass their homeroom teacher who has a proclivity for sexual deviancy by taping her having kinky sex with her husband and airing it during the morning announcements. Veronica Mars totally copied that from me, by the way. I left this out because this post is already way too long.)
4. "Completely Pleased" - Semisonic
Jill's first seduction attempt. Evan's house.
Key dialogue:
JILL
What's that great smell?
MR. WILLIAMS
Pot roast?
JILL
No, not food. More musky.
Jill walks around the room, sniffing the air. She stops within millimeters of Mr. Williams' ear, pauses, and sniffs again.
JILL
(into Mr. Williams' ear)
It's very sexy.
(Although I was actually having sex at this point of my life, I apparently didn't know anything about being sexy.)
5. "The Other Side" - Bob Schneider
Jill and Evan's first almost kiss while they are studying for Spanish, an excuse Jill only used to get access to Evan's dad. Evan's house. Afternoon.
Key dialogue:
They lean towards each other to kiss, and Jill pulls back.
JILL
Sorry. It's just, well, I'm sorry.
EVANJill, wait. C'mon, Jill.
(Can't you just picture it in your mind? You see, they used to be friends [a long time ago] and working together has brought out their old feelings! So unexpected,right?)
6. "I Found a Reason" - Cat Power
The aftermath of the kiss. Jill and Evan meet at a diner to talk it out and eat an uncomfortable meal together.
Key dialogue:
EVAN
I don't know what's happening here either, Jill. but I know I liked studying with you. And I wanted to kiss you. I still do.
JILLEverything's so complicated.
EVANWhy don't we get out of here? Go to the lake, talk some more. Figure all this out.
(HE WANTS TO GET IN YOUR PANTS, JILL. Not really. They actually just sit by the lake and kiss chastely. Lame, I know. But now they have a secret, forbidden love. Always hot.)
7. "Flavor of the Month" - Posies
Sydney (who is secretly in love with Evan, remember) becomes suspicious of Evan and Jill's relationship and shows up before school demanding Evan give her a ride. She kisses Evan, which of course Jill sees and misinterprets.
Key dialogue: none!
Key action: Jill rips up the note she was going to give Evan confessing her part in the ongoing prank to seduce his father and therefore ruin his life.
(Misunderstandings, hooray. It's a regular Three's Company up in here.)
8. "Something Burning" - Deb Talan
Evan's car as he's reluctantly giving Sydney a ride to school. Sydney turns on the radio and sings along.
Key dialogue:
SYDNEY
You're thinking about Jill, aren't you?
EVAN
Why would I be thinking about Jill? I'm wondering why you appeared at my doorstep this morning, that's all.
SYDNEY
I wanted to see you. We'd make a good couple, don't you think? It would do wonders for your social status.
EVAN
I'm not all that concerned with my social status.
SYDNEY
You'll change your mind.
(Good grief. Is this thing over yet?)
Mr. Williams car (continuous). They're listening to the same radio station. He gives Jill a ride to school because Evan was giving Sydney a ride instead of her, and also because Jill has a newly reformed mission to get in his pants after seeing Evan and Sydney kiss.
Key dialogue: None. But Jill totes kisses Mr. Williams on the mouth. Hussy!
(Actually, as written this was a decent scene. I'm much better when there is no dialogue involved. This is why I never could bring myself to finish any of my Dawson's Creek fanfic, the dialogue just sounded so terrible. Yes, I tried to write Dawson's Creek fanfic. Shut up.)
9. "Tell Her This" - Del Amitri
Evan and Jill bond in her bedroom after clearing up the Sydney misunderstanding from earlier that morning. They are now in love again but are still continuing with a secret relationship, and Jill still hasn't told Evan about her prank to sleep with his father. The young are so fickle.
Key dialogue:
EVAN
So what's the deal with your parents?
JILL
You know, typical stuff. They ignore me.
EVAN
I don't think ignoring should be typical.
(Isn't he the perfect boy? Sigh. ...gag.)
10. "Mixed Bizness" - Beck
Party that night. Dance music blares. Evan arrives with Sydney, which makes Jill furious and confused.
Key dialogue:
EVAN
Jill, I wanted to explain. I only came with Sydney because I wanted to see you, and well when she called and invited me, I just thought...
JILL
Save it. It doesn't even matter anymore.
EVAN
What do you mean, it doesn't matter? Of course it does.
JILL
No, it doesn't. Sydney always gets what she wants. This time is no different.
EVAN
She won't this time. She won't get me.
(This is getting painful.)
11. "Everything I Do" - Whiskeytown
After the party, Jill goes to Evan's house to see him and apologize, but he's not there. Mr. Williams, titillated from their earlier interactions, asks Jill to dance.
Key dialogue:
MR. WILLIAMS
(massaging Jill's shoulders)
This is more fun than studying. May I have this dance?
(Um, ew. Just so you know, both Jill and Mr. Williams get weirded out during the actual dance. I don't have some weird Daddy complex.)
12. "One More Murder" - Better Than Ezra
Jealous of Jill and Evan's obvious connection, Sydney carries out her plan to ruin Evan, but first she spills the beans about Jill's involvement with his dad. Then she drugs him and takes compromising pictures of them together.
Key dialogue:
SYDNEY
All the time she's been spending at your house? Studying Spanish? I don't know if you've checked her report card lately, but she has a solid B in that class. Before your help.
EVAN
Jesus, Sydney. Just get to the point already.
SYDNEY
My point is, she has another agenda. Your father.
EVAN
My dad?
SYDNEY
She's trying to sleep with him. In fact, she may already have. Or she may be doing it as we speak.
(I am a genius, having someone spill the beans to Evan before Jill gets the chance. That's only happened in, oh, EVERY television show and movie since the beginning of time. Folks, I'm non-WGA and available if you need my services.) (Just kidding, WGA, I'm not a scab.)
13. "Blue Parade" - Sarah Slean
Jill receives a package from Sydney containing the compromising pictures of her and Evan together and starts crying over Evan and his apparent betrayal. Sydney pays her a visit.
Key dialogue:
SYDNEY
What is this, a pity party? I guess you got proof of my completed assignment. Jill, it was for your own good. He's a loser. I'm trying to preserve your reputation.
JILL
You're not trying to help me. This is all a part of your little game.SYDNEY
Game? This is no game, my friend. This is life. And life isn't all lovers and roses. It's about pain. Heartbreaks and thorns. Be glad you learned early.
JILL
I learned, all right. I learned about you. About friends. Or enemies.
(Heartbreaks and thorns? I...I...don't know, people.)
14. "Windmills" - Toad the Wet Sprocket
Jill and Evan realize what Sydney did and confess their love for one another. How do they figure it out, you ask? Because Evan has his eyes closed in all of the pictures and doesn't remember anything, and this causes Jill to remember that Sydney has used a date rape-type drug on a boy before to take compromising pictures of him. Sydney needs some new tricks, folks.
Key dialogue:
EVAN
Shit, Jill. Here I am, hanging out with this girl I really like, hell, who I'm falling in love with, and then...
JILL
You're falling in love with me?
EVAN
Yeah, Jill, I guess I am. Was. Am.
(Shit, Jill. Snort. This Evan is no Pacey Witter.)
15. "Super Bon Bon" - Soul Coughing
Jill sneaks into Sydney's bedroom looking for something to use against her and discovers her dirty secret: Sydney is not a model like she has told everyone in school. She mocks up the photos on her own and plays them off like real gigs. Jill also calls Sydney's supposed modeling agency and records evidence of the person there saying Sydney isn't a client.
(Ruh roh, I think it's time for Jill to reveal Sydney's secrets in a public and embarrassing fashion!)
16. "Prophecy" - Remy Zero
The confrontation/outing of Sydney. In front of the entire school at a huge house party. Of course.
Key dialogue:
JILL
It seems Sydney here has been making the whole modeling thing up. She has this great little setup in her room with a digital camera, and then she can just go into her computer...
SYDNEY
She's lying! Obviously, she doesn't know what she's talking about. I don't even have a digital camera, or any of that stuff!
Jill plays tape recorded message from modeling agency, the room erupts in laughter.
(Remember, this was the very early days of home digital cameras and there wasn't much general Photoshop knowledge in the public. The camera setup seemed MUCH MUCH cooler back then. Or so I am telling myself. Please show me some pity.)
17. "Somebody That I Used to Know" - Elliott Smith
Graduation a few months later. Evan and Jill are together and happy, and shun Sydney, Tiffany and Amber who are still being mean to everyone in their vicinity in an attempt to remain the chosen ones, and failing. I don't really understand why I had Tiffany and Amber stay with Sydney or what I was trying to prove with this scene. I suck. All you need to know is, Jill and Evan are together and happy in their obvious superiority over her former friends. Self-righteous teenagers, unite!
Key dialogue:
EVAN
We can't let them spoil today, now can we?
JILL
Definitely not.
(Um, what an ending?)
Thanks for sticking around for this self-indulgent spiral of ridiculousness. At least you can enjoy the music, right?